Debbie was five minutes into the job interview when the prick-of-a-restaurant-manager’s mustache winked at her. Impossible, of course, but it happened just the same.
She’d asked the prick-of-a-restaurant-manager if there were any open waitress positions and he’d answered, “Well, that depends on what positions you’re willing to get into,” and then his mustache winked. So help me God, Debbie thought, the fucking thing winked.
Ron, the aforementioned prick with the aforementioned mustache, noticed her looking at his whiskers. He leaned back in his chair, took a comb out of his breast pocket, and ran it five times through each side — five times exactly. Then he slipped the comb back into his pocket and puckered his lips to give the mustache a better platform. It was enormous — biggest mustache Debbie had ever seen.
“What position did you have in mind?” Debbie asked, disbelieving the words even as they came out of her mouth. The great Dynamite Deb, who’d spent half of her life getting the upper hand on the best chauvinist assholes in the business, now being played by a goddamn amateur. What a son of a bitch life is, she thought. What a bastard.
I can't even remember how I stumbled upon the terrible story of Ann Jiminez's 1968 murder in San Francisco. Something about drew my horror and captivation. I just felt bad for the kid. She was only 19. A lost, sad, socially awkward kid who couldn't any place to belong.
She thought she might try her luck in the Haight Ashbury with all the Hippies brandishing their flowers and talking about universal acceptance and free love. As I read her story, I imagined her excitement going there and thinking she'd finally found a home.
The story just breaks my heart. Part of me which I never found it. The other part of me is glad to have told her story, for whatever that's worth.
Right there at the heart of the peace-and-love capital of the world, Holy Mecca of Hippiedom, native stomping ground of the Grateful Dead and birthing-hole of the psychedelic movement, they humiliated, raped, and beat Ann Jimenez to death over the course of three hours — all because she supposedly stole a pair of boots.
Not too groovy, baby. Not too groovy at all.
Straight Haight '67 is a passion project of mine, combining all of my weirdest interests and fringest (yep, just made that up) fascinations. Part of that project is a song titled "Hey There Dreamy Girl."
I published the lyrics and an intro bit to the song here.
Now, I'm excited to say, the lyrics have been made into an actual song: https://soundcloud.com/user-162691940/dreamy-girl-v32
Check it out. It's a great tune. Creepy. Grim foreboding of things to come.
The Summer of Love, it turns out, is creepy as hell.
Washington State parks reopened for hiking on May 5, 2020. Two days later I grabbed my trusty Discover Pass and headed for Mount Si in North Bend, Washington.
I kick off every hiking season with a trek up Mount Si and have had many memorable climbs there, including the time I saw a guy carry a tuba all the way to the top. This year’s trip was unique, though, and I suspect I’ll never forget it. It came in the midst of the COVID-19 pandemic and was the first time I’d gotten out of house (other to walk down the street or grocery shop) in months.
"J.C. Hibbing, Queen of Northlands Folk, skipped up to Process Dawn Records strumming her guitar and whistling a tune-in-the-making titled “Love the Love and Live.” The long, auburn tresses bouncing up and down on her shoulders went suddenly still when she stopped before her destination (temple of musical destiny), looked up and took the sight in.
It was vaguely disappointing, honestly. Rather cold and businesslike. Indistinguishable from any of the other offices around. Process Dawn Records didn’t even have a sign, if you could believe that.
What else had she expected from the place that would produce her first album? She didn’t know, really. Something like a golden monolith bathed in flowers, probably."
My short story "The Mandala Doors of Hafsmamn Syniad" has been published in the most recent issue of Stupefying Stories.
The publisher tells me that the hard copy is on the way. In the meantime, it's out in digital format on Amazon.
Exam was nervous. He never said it, but the cigarette trembling between his fingers gave him away.
Just the sight of him smoking cigarettes at all made Molly Green nervous. Over the two years she’d used him as an informant, she’d never once seen him abuse his body. Exam always lived as clean as anyone Molly had ever seen. He didn’t drink. Didn’t smoke cigarettes or even weed. He was as devoted a Black Lion as she’d ever met. He’d given his entire being over to the Revolution.
“What’s up, Good Golly?”
12:07 PM, January 1, 1967.
Los Angeles, California.
The white people were protesting again.
Most the time Jerome Jackson had no problem with all that, but today he just wanted to get to work, so he punched the dashboard of his Chevy Chevelle and blared his horn at the tie-dyed, Day-Glo-colored parade of longhairs flowing past.
This lanky cat with flowers threaded through his beard and a buckskin coat turned around and flipped him off.
“Fuck you, pig,” the hippie said and spit towards Jerome’s car. Without realizing it the hippie saved himself from an ass whooping by coming up short of actually hitting the vehicle.
Jerome could only shake his head and laugh at the irony of a white-boy protester spitting at a black man who was just trying to get to work. That, right there, was just goddamn funny, folks, and if you can’t appreciate the humor than you’ve let the politics get too deep into your head.
12:05 AM, January 1, 1967.
Lower Haight neighborhood, San Francisco, California.
The Beatles’ “Tomorrow Never Knows” emanates from a dilapidated house on an otherwise quiet street. The house’s windows glow with soft orange light. Darkness bathes the front porch. A match flame pops into life and illuminates the face of a prostitute named Sunshine as she lights a cigarette while standing on the porch steps.
I'm not even sure if anyone's following this blog anymore. I've been terribly negligent with it for far too long as I've focused on my freelance gigs. A recent invitation to read my writing at Central Washington University, however, has woken me up to the fact that I've gotten far too sidetracked by those quick-paying gigs.
So, I've gotten back to work on my novels and am going to spruce up this primitive-ass website.
I'm writing this post more as a way to commit myself to this course of action than anything else. Taking things to the next level and all that shit. Maybe I'll get blog readers back, too. We'll see.